2017年兩岸四地建築設計論壇及大獎學生組別
CADSA 2017 STUDENT CATEGTORY
比賽結果 RESULTS
金獎 GOLD
高速、高密、多元及模糊的界線
SPEED, DENSITY, DIVERSITY, AND BLURRED EDGES IN BETWEEN
臺灣新北市萬里區野柳 Wanli District, Yehliu, New Taipei City, Taiwan
鄭皓元 CHENG Hao Yuan
磯
水面淋漓，使我們看不見水下的世界。海洋被當作不竭的礦場，缺乏關注的族群滅絕天天上演。水族館成為收藏館，深海奇珍理想化的展示；也是一座牢籠。而在岩岸潮間帶，潮池分割改變了大海的尺度，陸與海的界線在此模糊，水下世界容易被看見。試想藉空間，以亦陸亦海介面使人與海重新產生連結。
混凝土侵蝕野柳灣的潮間帶，原始的地貌雖已不復見，但我視為一種可能；模擬造就潮池的差異侵蝕，主動侵蝕人工地坪使海陸再度模糊。非自然的自然，人類的介入創造更多的可能，探索得更遠。在浪花激起處，人們初識大海的磯，成為探索入口。
行走於構造物與海洋之間，海陸亦不明。這是一片立體的潮間帶，巨大的潮池留下大魚。浪潮聲迴盪，有時激起一身水花。展示深遠，豢養難免，我使海與魚缸交錯，野生與豢養模糊，水族館不再是蒐集豢養，而是探索途徑。
一方海庭在中央空下，野生生物穿梭、棲居。以珊瑚的無性生殖起始，作為再造海灣的基地。自然的海與人工的光照及食物補給，加速培育，同時生物之間複雜的交互作用持續進行。構造物與海錯置，每道縫隙都是庇護所，汙染發生即時隔離，成為海灣的方舟。
我思考模糊後的人海關係。人海之間只有程度，沒有絕對。
Splash zone
It’s hard for us to contact with inhabitants underneath the water through the reflection in between. Without this connection and sympathy, massacres happen every day under the sea. Aquariums act like collections of wonders, and cages to fulfill desire. We don’t care because we can’t see. However, at the rocky intertidal zone, tide pools separate and adjust the original sea scale, blur the edge between these two worlds, and much easier to look through. This inspires me to reconnect human and the sea with some blurred spaces and edges.
The bay of Yehliu is used to be an intertidal zone but now gnawed by concrete. The original landscape is destroyed, but I view the catastrophe as an opportunity. By stimulating the erosion which creates the natural seashore, I try to rehabilitate the vague zone between land and sea. An unnatural nature, there’s more potentiality to see further and deeper with human intervention. The splash zone we met the sea first time, once again, become a starting point of an exploration.
The aquarium is alternated between structures and the sea, so the position of water and land is blurry. It’s an enormous tide pool keeping larger fish from deeper sea. The sound of wave echoes around, and sometimes you get wet from a sudden splash. Fish tanks and the real sea are also arranged alternately to blur the feeling of capturing. This aquarium is a way to meet another world, not a symbol of conquering.
In the middle, there’s a water courtyard directly connect to the sea. Wild lives can easily pass by, perch, or stay. Here is going to be a coral farm by taking advantage of coral’s fragmentation or asexual reproduction. This semi-wild area provides stable light and extra food supply, and those complex mutual reactions between lives still go on. Gradually, the Yehliu bay will be heal as the ecosystem being rebuilt. Because of the arrangement of the structure, every gap in between can be a sanctuary, easily being insulated from the outbreak of pollution. This aquarium can be the ark of the bay.
I ponder the blurry relationship between human and sea. There’s no definite edge between us, but a slight connection at the Splash Zone.
評審意見
以建築與景觀創造人造與自然的對話，運用水為介質形成的光影與空間關係成功塑造剖面；圖面表現偏向以大概念切入，又能敏銳注意到清除漏油污染等微小細部處理，非常令人稱許。
金獎 GOLD
高速、高密、多元及資源消耗
SPEED, DENSITY, DIVERSITY AND RESOURCE CONSUMPTION
深圳前海區 Qianhai District, Shenzhen
梁安裕 LEONG On U, Derrick
Cities are always in pursuit of greater speed, density and diversity. However, the future we are facing is not about scale of building we can see – it is about the resource which we are consuming and soon to be fully consumed. Production is the real future, in order to support greater speed, density and diversity of cities. Situated in an experimental district, Qianhai of Shenzhen in the PRC, the project adopts the challenging demands for hydraulic engineering due to increasing water level as well as food production by means of water. The project is a representation of the appreciation to the functionalities of water.
Original designed by an institution in PRC, the pump station in Qianhai locates at the upper part of the water corridor for the district. Three water sources pass through the pump station, and pumped to the sewage treatment facility or directly to the corridor. Rather than leaving the water only as a scenic lake, the project takes use the landscape to filter the water through different stages, and produce clean water for the fields on site and hydroponics growing towers inside the building. The building itself represent the Life Cycle of Food Production: Growing and Harvesting, Drying and Storying, Selling and Cooking through an integrated system of water. The leftover of product is then composted and back to the Growing part of the design. Also as a community centre for the district, the building and the upper part of the water corridor serve as a demonstration site for food production, while the lower part works as the real production corridor of the whole experimental district.
The project also questions the publicness of infrastructure. It evokes the functionality of water and to transform the role of mega-scale engineering structure to a human-scale communal facility for citizens. In Dry Season, the public can visit hydraulic museum through the “Central Ramp”. While in all season, the public can experience the great variety of food produced in the “food library”. They can then experience the life cycle of food through drying area, teaching kitchen, community canteen and market.
評審意見
以「寧避」(NIMBY) 設施成為公共教育並提供休閒的鄰里設施；在設計上以 "architectural promenade" 結合水環境景觀的，在剖面圖上呈現對於掌握構築技術的努力，令人印象深刻。
銀獎 SILVER
高速、高密、多元及反省
SPEED, DENSITY, DIVERSITY AND INTROSPECTION
臺灣高雄煉油廠
Kaohsiung oil refinery, Kaohsiung, Taiwan
侯仲楹 HOR Chung-Ying
基地位在後勁高雄煉油廠。在後勁居民多年抗爭和25年的等待後，2015年11月正式關廠，留下污染的土地、失去工作的人們、徬徨的下游、巨大的工業遺址。一道20米高、東西橫貫的隔音牆將聚落與廠區切開，它對外是一道扁平的牆，對內的一跨空間卻是廠區的脊椎，樹狀的空中管線依附而生。我的設計是這道高牆在關廠後30年間，逐漸虛化並重新紮根於土地的故事。對應廠區內整體計畫從關廠後整治、拆除、綠化、到新開發等不同事件，隔音牆以三個十年分期: Purifying、Infrastructure、Programming逐漸被改造，以人體尺度為基準的新功能被重新植入這道曾經均質無表情的阻擋機器，並作為聚落與廠區的介面。三道邊界:柏油廠、污染開挖區、飛灰儲存槽被依照原本的生產邏輯改造為三座造園機器:造山廠、林廠、記憶槽，作為牆上的錨定點，物質隨時間在三者間流動並作為造園材料，在構築同時紀錄了時間。最後，一個世代過去，後石油時代來臨，人們走入牆的厚度中，穿梭在牆造出的巨大花園中。
After 25 years of local protest against pollution, Kaohsiung oil refinery was finally shut down in November, 2015. This project is an introspection and re-root process of this post-industrial factory. By using the 1.4-kilometers-long soundproof wall between Kaohsiung oil refinery and Houjin as skeleton, corresponding events of official masterplan of the upcoming 30 years, new programs of human scale will implant on the wall and gradually make it root into the ground.
評審意見
本方案是建築主體「回收再生」的設計，策略則著重於「修復機制」之提出，並且將空間的塑造與時間的過程同時納入考量，極具說服力。
銅獎 BRONZE
高速、高密、多元及重塑鄰里關係
SPEED, DENSITY, DIVERSITY AND REPLENISHING SOCIAL ENGAGEMENT
香港
Hong Kong
盧瑋
LO Wai
在香港，急速發展的城市規劃，加上住宅供不應求，建築物向上發展是無可避免的。垂直的空間結構，層層分明的住宅單位，唯一會碰到鄰居的地方便是密封狹小的走廊，令人與人之間的連結大大減少，鄰里間出現了隔膜，甚至毫不認識。
設計理念是希望在高樓住宅大廈中，仍能重拾回昔日緊密的鄰里關係。將一般住宅解構，分拆出較開放及較私隱的活動，再抽出較開放的與其他單位分享共用。在一人單位的樓層便抽出了廚房，飯廳和客廳，讓住客有機會和鄰里溝通互動。
在二、三房的單位便沒有刻意抽出任何部分，卻只是將連接單位外界的兩端放了飯廳與客廳兩個較開放的空間，並設計了滑行門。當鄰里關係達到彼此信任或朋友關係，兩扇滑行門一打開，彼此的客廳或飯廳便打通，組成一個更大更開放的活動空間。
而四棟大廈之間有三個連接層，連接層有不同活動室，使住客的活動範圍擴大及增加社會參與度。
Hong Kong is rapidly and massively developing and with the short supply of residential buildings, vertical development is inevitable. In this vertical spatial structure, there is a clear distinction between floor and floor, unit and unit. The only area that people can connect is the enclosed narrow corridor or lift lobby, which is not a decent lag space for people to chat and engage. The existing residential building is dragging back our social engagement.
The design concept is to replenish the social engagement in this generation and this type of high-rise residential building. For the single bed unit floor, the first step of the approach is to deconstruct an ordinary living unit into relatively public and private programs. Taking the “public” program out and share with the other units, i.e. kitchen, dining area and living room, providing a lot more chance for the residents to communicate and engage.
In terms of two bedroom unit and three bedroom unit, the more public programs (dining room and living room) are placed on the two ends of the unit. Two units are separated only from sliding doors. When both families agree to open their sliding door, the two living rooms or dining rooms will be connected and formed a bigger lag space for gathering.
Overall, the four buildings are connected with 3 activity floors which can extend residents activity area, and hence, encourage more social engagement.
評審意見
透過構思未來的社會組織與家庭結構，並發展出新建築的住宅原型之可能。非常正面的努力。
銅獎 BRONZE
高速、高密、多元及共生
SPEED, DENSITY, DIVERSITY AND SYMBIOTIC
臺灣臺南 Tainan, Taiwan
王子瑞 WANG Tzu Jui
都市日常交會場/symbiotic intersection
1993-2002年，海安路拓寬工程將正興街一分為二，失序而漫長的都市計畫發展下，造成了當地都市紋理的嚴重斷裂。而我試圖創造一個都市的日常交會場域，來縫補人與人之間、人與都市之間的共生關係。
當地現有的社區中心為一紀念性量體，是個長期閒置之下的蚊子館，建築早已失去了作為社區居民交集平台的意圖。相較之下，當地巷道間的玄關、商店外的騎樓、廟埕旁的廣場等非正式的半戶外場合，反而是居民容易發生交集活動的場所。
社區中心這個空間的本質在於「社區」這件事情，它應該是一個可以自由適應民眾正式與非正式活動的場所。藉由對於當地巷弄紋理的觀察，我置入了宛如街屋模矩般的單元，使社區中心將不再以紀念性量體的方式被管理，而是宛如立體的巷弄般，自然滲透入日常行為的都市經驗。
1993 - 2002, Hai'an Road widening project has divided the community into two streets, the disorder and long term urban development, resulting in a serious fracture of the local urban texture. In this case I create a symbiotic space, to sew the gap in between people, and the symbiotic relationship of city.
The existing local community center is a monumental body, which has long been lost as a community intersection platform for residents. In contrast, the entrance between the local roadways, stores outside the arcade, the temple next to the square and other informal semi-outdoor occasions, but residents prone to intersection activities of the place.
Suppose the essence of the building type “community center” is a “community” matter. It should freely adapt both formal and informal community activities. By tracing of local alleys, I try to represent street house-like configuration in my project. The architecture will no longer be managed as a monumental volume, but like a three-dimensional-like alleys, naturally infiltrating into local community behavior.
評審意見
為舊城鄰里社區打造公共設施與開放空間。設計與研究並重，創新與懷舊並陳，值得嘉許。
銅獎 BRONZE
高速、高密、多元及時間
SPEED, DENSITY, DIVERSITY AND TIME
香港土瓜灣十三街
13 Streets, To Kwa Wan, Hong Kong
陳友軒
CHAN Yau Hin
[這是最好的時代。這是最壞的時代。]
這項設計探討在土瓜灣十三街發展自主的地方經濟，多元文化及輕工業的可能性，亦同時改善居民的社區生活。此項目立場是為了提供宜居及社區工業生活，並重新培育家庭式經營和工藝發展以抵抗地產霸權。
[速度，密度，多樣性和時間]
香港建築以其高速，高密及高效發展而聞名。可是，不可逆轉的高地租正蠶食空間創作和文化實踐的多樣性。當單調的建築變成商品時，它正在摧毀無價的家庭式工業及經驗(文化時間)。因此，十三街旨在通過共用工作空間，休憩及教育空間來產生空間多樣性，從而抗衡高地租所帶來的影響。
[還空間於民]
過去，居民在這十三街之間經營小型工業而建立了強大的社區網絡。目前，政府釋放土瓜灣發展的高度限制，以鼓勵私人發展商用盡地積比去興建各種屏風樓，其投機炒賣使房產價格上漲，剝削基層的居住空間。
[共享空間，建立自主工作實驗平台]
部分十三街老胡同會因其社區關係而被保留；另外新的設計是工商住房合作社，亦是創意和輕工業的可滲透建築群，為基層帶來多樣化的工作機會，家庭企業及傳統文化發展。
[我現在要做的事，比我以前所做的事都美好得多。]
[It was the best of the times. It was the worst of the times.]
This project examines the possibility in developing self-driven local economies, with cultural diversity and light industry in To Kwa Wan 13 Streets, and improves community life for children and elderly. The position of the project is to provide an alternative way of living and business in against the notorious property hegemony, and to reintegrate a testing ground for nurturing family-sized industries and local craftsmanship.
[Speed, Density, Diversity and Time]
Hong Kong architecture is famous for its speed, density and efficiency. Unfortunately, the irreversible high land rent slowly kills the space diversification and cultural practice. When the monotonous architecture is turning into commodities, it destroyed the priceless family-oriented innovations and experience --- Cultural Time. So, this project aims at regenerating spatial diversity in for co-working, recreational and institutional usages, to against the influence of high land rent.
[A Place to share, not to become a slave for purchasing Space]
In the past, local residents worked in strong community bonding in these 13 streets, operating small scale industries like producing light bulbs and plastic products. At present, the release of building height restriction encourages private developers to redevelop the site with various pencil towers and escalate rental price, making the flats highly unaffordable for grassroots and underprivileged people.
[The Return of Space for the people, by the people]
Can we generate a testing ground for local innovation to diminish social isolation? Facing with this situation, they have nowhere to go but this wonderland, the last place to live freely. Permeable building clusters with residential, creative and light industry can bring back the cultural versatility for grassroots. At the same time, some alley streets are preserved for communal relationship; the alternation achieves new programmatic approach for collective housing towers. It is the last place for working and gathering, in extending their homes to accommodate growing families and businesses.
[It is a far, far better thing that I do, than I have ever done.]
評審意見
在舊建築紋理中創造新的「垂直村落」，將社會意識與想像力注入建築設計，很好的出發點。
優異獎 HONOURABLE MENTION
高速、高密、多元及一張城
SPEED, DENSITY, DIVERSITY AND THE CITY EUDOXIA
臺灣基隆
Keelung, Taiwan
王詠萱
WANG Yung-Hsuan
「優鐸西亞(Eudoxia)向上、向下伸展擴張，有彎繞的小巷、階梯、死路、小屋，有一張地毯保存下來，你可以從中觀察城市的真正面貌。」
-《看不見的城市》
這是看不見城市裡其中一座城市的描寫，它跟我對基隆的記憶非常相似，在這個古老又曾經繁茂的大港灣，度過幾個不同時期的年，城市緩慢地在演化，一棟棟築起、一落落褪去，可它似乎還是那張面容，在那些堆疊的痕跡底下，靜靜地躺著。
夾在山與海之間的這個複雜灣口，歷經日治時期的第一大港、國民政府時期、到現在有些舊建築被拆除或閒置，它所囊蓋的城市紋理在人的觀感尺度上一直都沒有被破壞，就像一張從山的那頭延伸至海，半懸攤開著的「地毯」。
我想保留這張難得的地毯，在幾棟老建築前、車站與海港兩交通樞紐之間、未來的城市規劃之後，就像看不見的城市所談的，這座城市的遊走經驗即這座城市的原始面貌。
In Eudoxia, which spreads both upward and down, with winding alleys, steps, dead ends, hovels, a carpet is preserved in which you can observe the city's true form.
- Invisible City
The city described in Invisible City is similar to the image I got about Keelung City. The harbor is old and used to be prosperous, lying quietly with the City, which is growing and falling. Yet it never changed.
Sandwiched between the mountain and the sea, the harbor experiences the years. The texture of this city is same with it as usual. It is an unrolled carpet. I want to keep this carpet.
As the Invisible City tells, the city itself is the city you wander.
優異獎 HONOURABLE MENTION
高速、高密、多元、活力—博弈遊樂園
SPEED, DENSITY, DIVERSITY AND DYNAMICS — PLAYGROUND OF GAMING
澳門半島，澳門 Macau Peninsula, Macau
嚴宇程 YIM Yu Ching
近年來澳門旅遊發展迎來瓶頸，博彩業因反貪和周邊競爭迎來衰落危機。密集且高速的城市發展讓曾以博彩興邦的澳門經歷噴井式的繁華，卻因為遍地賭場互不關聯、彼此獨立的「城市島嶼」失去原來葡人治下充滿情趣的城市肌理。
高速、高密的城市發展需要活力去凝聚多元文化；城市需要建築激發活力，疏通功能間的脈絡。建築帶來的不應是拜金生活，而是促進文明交流的社區平台。針對博彩業發展的反思，本次設計從博弈的根源出發，創造一個提倡博弈樂趣為主題的遊樂園，向下一代傳達理性博弈思維，改變金錢至上的價值觀；場地設於澳門半島的交通交匯點，連接沿海濱海大道，串聯媽閣廟前廣場形成海旁社區空間，同時作為半島以北的歷史古跡徑起始點，為城市注入新的活力。
本次設計參考澳門巴洛克教堂流動的平面佈局形式，試圖以非傳統的三維圓椎幾何組織，研究立體排列、交接變化並抽取要素塑造五個富有動感的展區；市民由貫穿建築的城市通廊進入建築，探索中國傳統博弈的根源，通過分設的展覽區、表演區和互動遊戲區了解傳統博弈原有的趣味，收穫快樂。建築以粗糙混凝土立面產生歷史感，與充滿活力的內部空間形成反差，希望表達出對博弈歷史新的解讀，成為城市活力的新標記。
Anti-corruption and dense competition from neighboring countries has triggered crisis of economic downturn in Macau gambling tourism over recent years. Despite the fact that Macau is once known for the exuberant gambling culture, rapid development of disconnected and isolated city islands, created by exaggerated casinos, has severely destroyed Macau’s colonial Portuguese fabric.
Architecture should activate dynamics to the city and stimulate connectivity among various social functions. Architecture should promote social interactions rather than bringing money worship to the society. By reviewing the origin of gambling – gaming, the design aims at constructing a playground of gaming that highlights the joy brought by gaming, inducing critical mind towards gaming and changing the money mad attitude; By connecting the site with the waterfront promenade at Macau peninsula, public space is fostered together with the nearby A-Ma Temple square. It is also a new starting point of the heritage trail, bringing fresh dynamics to the city.
By referencing the flowing circulation of the Macau Baroque church, the design attempts an unconventional approach – three-dimensional, conical geometry to organize 5 programmatic spaces through investigating the pattern density and intersection variation of cones. Citizens are welcomed by a public walkway that passes through the building; People can freely access different activity zones such as exhibition, performance and interactive game zone, finding pleasure through exploring the Chinese traditional gaming culture and understanding the joyous value of gaming. Rough texture of concrete façade recalls people’s memory of the ruins of Macau heritages. The contrast of rough concrete façade and dynamic interior space presents a symbolic meaning of new interpretation of the ancient history of gaming. It serves as a message of becoming a new image of the city.
優異獎 HONOURABLE MENTION
高速、高密、多元及信仰
SPEED, DENSITY, DIVERSITY AND FAITH
臺灣臺北市中區
Central, Taipei, Taiwan
都軍、劉韻卓
DU Jun, LIU Yun Zhuo
城市中，越來越多的建築正在被建造。住宅，商場，餐廳……我們的城市似乎變得越來越多元，可又在這個過程中似乎失去了什麼。
歐洲旅行中，我所看到的，是歐洲人對於宗教的敬畏。他們的眼神里似乎有一種信念，而這種信念與希望的目光，是我在內地所看不到的。
總有人說，國人缺乏信仰。在我看來，不僅是國人。建築同樣可以用來表達信仰。
因此這一方案誕生。在我看來，印度教的教義最為吸引我。它的母親河，恆河，具有包容萬物的屬性。在這條河裡，眾生皆平等，不論貧賤富貴。而正是這種性格，吸引了我，並讓我對於建築與這個世界有了更深層次的理解。
也許我不懂建築與宗教的關係，但我知道，建築是有的精神力的。而這正是建築師力求創造的。
In urban area, more and more buildings are designed and constructed. Housing, Mall, Restaurant...Our city seems to be filled with all sorts of culture. However, something was lost.
In my journey to Europe, I saw citizen’s respect for religion. They convey their hopes in eyes, which could never be found on Chinese.
Are we losing our faith? Maybe architecture also got lose.
Therefore, I choose this design. From my perspective, the doctrine of Hinduism attracts me extremely. The Ganges River, which respects all of the creatures, buries thousands of people every day. All human beings are equal, regardless of possession. Such character attracted me, and let me acquire more knowledge of architecture, and the nature.
Architecture has its spirit. That’s what we are finding.
優異獎 HONOURABLE MENTION
高速、高密、多元及三者之間
SPEED, DENSITY, DIVERSITY AND IN BETWEEN
臺灣臺北車站特定計畫區
Taipei Station Special Planning Area, Taiwan
李佳樺
LEE Chia Hua
「因此人們希望在慾望梯上停一下，或是退下一兩級。極端主義者慎是渴望下到梯子的最下端，去擁抱大地，砂礫粗糙的紋理令他感到世界的真實；折衷主義者則企圖尋求慾望之梯的之中間位置，地理學家和環境專業的學生稱這個位置為中間景觀。」逃避主義：從恐懼到創造，段義孚
而我認為這裡的逃避，其實是遠離一下被定位的自己，到「之間」出走。
沒有人是獨立的個體，多重角色扮演和時間的推移中，目的地和目的地的之間 / 空白 / 虛體，成為我們塗鴉定位自己的實體。而涵蓋了種種目的地的都市開放空間，就賦予了不同族群創造各自第二層使用的意義。在移動、不屬於自己的定點時，我們看到真實的世界，達到段義孚所說的，可以調節進步的「之間」。
臺北車站本身即為臺北最大的都市過道，族群的之間，速度的之間和時間的之間已經成立，但現況的量體使用卻缺乏了空間的之間，此區位可乘載的都市活動潛力被忽視。
本案建立在臺鐵辦公搬遷，雙子星大廈建成，機場捷運線導入後，所有車站機能都在地面以下整理妥當的臺北車站，地面以上以新的地面層置入，打破原本量體框架，將車站機能轉變為大型都市活動空間，以都市橋樑的空白承接幾乎爆炸性的多樣人流，積極提供都市人生活喘息的中間景觀。
“...people have always sought to escape in one way or another, sometimes foolishly, often creatively and ingeniously. Glass-tower cities, suburbs, shopping malls, Disneyland—all are among the most recent monuments in our efforts to escape the constraints and uncertainties of life—ultimately, those imposed by nature. What cultural product is not escape? Escapism is an inescapable component of human thought and culture. ” ----<Escapism>, Yi-Fu Tuan.
The escape here means leaving from our usual place for a while. Take a trip to somewhere you do not belong.
No one is completely an individual; we all got many roles in life. When time passes by, space between “destinations” is where we put ourselves in. Those open spaces in urban area include these “destinations”, giving us the chance of creating another meaning of usage. When moving from one destination to another, we can see the true world, approaching the space of component of human thought and culture as Yi-Fu Tuan mentioned.
Taipei main station is the biggest station in Taipei. Five types of transportation gathered huge amount of people here and passed by each other. It contains the elements of “between”, but lack of the space.
The case based on the finish of C1 and D1 buildings with Taoyuan International Airport MRT. The complete program of transportation is under ground. This plants a new bridge to break the disconnection on the ground floor. The new open space is a blank for urban stage, offering the needs of different stream of people, giving us a “between” to breathe.
優異獎 HONOURABLE MENTION
高速、高密、多元及連扣
SPEED, DENSITY, DIVERSITY AND INTERLOCKING
香港旺角
Mong Kok, Hong Kong
郭承恩
KWOK Shing Yan, Sky
耆老旅者大樓是一座社區服務大樓，其中的主要使用者是本地的長者。大樓分為四個主要部分，當中包括博物館、工作坊、長者屋和城市耕種。目標是拉近長者與年輕旅客的關係，製造互動的機會。
高速。在大樓中的設計，以兩個核心作為主要的內部交通，提升了運輸的速度。
高密。這是一座擁有密集功能的高層建築，在塔中有四種不同類型的功能。然而，為了避免體積太大，在各種功能之間設立了間隙中的空隙，以提供孔隙度和通風。
多元。生物多樣性是其中的概念之一。在建築物的外牆有垂直和水平的綠化，以吸引本地動植物種前來居住。另外，在單一大樓也有這四種不同類型的功能。
連扣。建築形式的原始概念是俄羅斯方塊，這是不同元素互相連扣的概念，目標是使本地長者和外國遊客有互動的機會。
Elderly & Travelers Tower is a community building for two targeted audiences including local elderlies and travelers. There are four various programing including museum, workshop, elderly house, and urban farm. The aim of this tower is to motivate interactions between the local elderlies and foreign travelers.
Speed. In the circulation of tower, there are double cores, which separate different lift zones to enhance the effective of vertical circulation.
Density. This is a high-rise building with dense functions. There are four various kinds of functions in one tower. However, in order to avoid being bulk, the voids between various functions provide porosity and ventilation.
Diversity. Biodiversity is one of the concepts. There are vertical and horizontal greenery on the façade of the building with a view to attract the local species habiting. In addition, there are four various program in a single tower.
Interlocking. The original concept of the building form is Tetris, which is an interlocking idea of different elements. It comes to the aim that making interactions with the local elderlies and foreign travelers.
優異獎 HONOURABLE MENTION
高速、高密、多元及高流
SPEED, DENSITY, DIVERSITY, MOBILITY
香港九龍城
Kowloon City, Hong Kong
譚皓元
TAM Ho Yuen, Derek
市區更新 - 是兩岸四地長期具爭議性的話題。在香港，更加高密，複雜的金融、住宅和社會設施如插針般在舊區叢生來應付城市發展的需求。九龍城是香港的舊區之一，該區以隨機搭建高層和分散的建築物來回應了市區重建的呼喚，引至行人道和車路不協調的交疊，破壞社區設施的聯繫。因此，是次計劃透過提出的地下網絡一方面梳理區內的行人道和車路肌理，一方面重現現有社會設施的聯繫。公園，宗教場所和公共場所最終在這樣的重組中自然產生，此項目還重用了舊建築的老木樁，為市民創造了一個新的視角回顧該區的歷史。
歷史 - 該區的建築高度一直受到一九九八年搬遷的舊啟德機場的限制。此後，該地區出現了不協調鉛筆般的新樓宇。當地的小店舖（如食肆）持續存在，而且由於引進了新的重建，當地的文化逐漸衰退。
地下行人網絡 - 鑑於起動東九龍，特別是啟德地區的新舉措和新基礎設施（新地鐵支線）到位，該地區的連通性將大大提高，重建將保持加速。擬議的更新項目藉此機會與新和現有的基礎設施，地區，人和時間進行交流，以便與移動網絡和樞紐的互連，城市景觀和建築環境相互配合。這種地下行人網絡視為是當地文化可持續性和再生產過程的一個組成部分，具有恢復和提高城市生活質量的實驗。
Urban renewal is a long and hot topic in the straits. In Hong Kong, more dense and complex financial, residential and social facilities are chaotically redeveloped in old districts. Kowloon City, one of the oldest districts, answered the call of urban renewal by randomly erecting high-rise and scattered buildings. Respecting and preserving the existing social facilities, the project reorganizes both pedestrian and traffic circulation in a progressive way by redevelopment the aged buildings in the district. Parks, religious spaces and public spaces are eventually generated in such reorganization, and the project also reuse the old timber piles of the aged building to create a new perspective for the citizens to look back at the history of the district.
History - The building height in the district has long been limited by the old Kai Tak Airport, which was relocated in 1998. Since then the area emerged pencil towers which were doubling / tripling the height of the buildings in the neighborhood. The local business (such as food businesses) persisted and prevailed, while the local culture decayed progressively due to the introduction of the new redevelopments.
Underground pedestrian linkage - Given the new initiatives in the East Kowloon, especially in the Kai Tak Area, and the new infrastructure (new Massive Transport Railway station) coming in place, the connectivity of the area will be greatly enhanced, and the redevelopment will keep accelerating. The proposed renewal project takes the opportunity to interweaves new and the existing infrastructures, districts, people and time, in a way that engages with the interconnection of mobility networks and hubs, the urban landscape and the built environment. Such underground pedestrian linkage is perceived as an integral to the process of local cultural sustainability and regeneration, with the means of restoring and improving the quality of urban life.
優異獎 HONOURABLE MENTION
高速、高密、多元及動態建造
SPEED, DENSITY, DIVERSITY AND TO PLANT A TREE
臺灣鰲鼓溼地
Ao-gu wetland, Taiwan
陳靖涵 CHEN Ching Han
為了供應人的需求，建造堤防以強奪海埔新生地作為生產使用，颱風衝破堤防、海水收回了土地，堤防破了，同時淹沒了人對建造的信心。以人為中心，我們建造堤防，卻不曾懷疑牆會倒下、人類的建造有失效的一天，舊的海岸線也失效，但終究抵不過天災。這是一個透過樹和儀式的建築，建造不再擔心會失效，一經植樹，樹只會年年生長提供更多遮蔭的空間、同時樹根也會抓緊土地。
地點是在嘉義市旁這片和糖業歷史無法分離的森林。自日治時期以來，鄰接糖業興盛的濕地這一帶是種植甘蔗林，之後淪落為光禿的地皮，又在人工種植下數次恢復成森林，現在那裡則是混合人工林和天然林的地區。
設計上的挑戰分成兩個層面，一者為堤防破後潮汐變化和土地流失，另一者為候鳥棲地與人類路徑的衝突。
第一步對現況調查，為了復育土地，平地破壞當地現有的物種豐富度，當人類要如何從不破壞目前的生態平衡更增添豐富度。第二部由三個大到小的尺度來回應。以往的建造致力於發展底抗自然的能力；現今則是當技術越進步，越可以貼近自然。
I潮汐變化：在經過環境反樸，不會以圈地私有化為終點，佔有土地作為生產不再是必須，理解候鳥、整合動植物系統與潮汐變化，提出以最輕盈的方式：堆土丘整理這塊濕地。
II 人的路徑：腳下的土地我們不能永遠留住，人們可以到達的區域也隨著潮汐而變化，我以水作為進入這塊基地的載體，我們跨越舊有失效的海岸線，重新踏上原本不存在的土地，人們的建造行為便是在這變動的土地下種植一棵樹，惦念逝去的親人，思念不會停止、樹木成林給後人更多遮蔭空間。
III儀式空間：我挖掘、我植樹、我覆土，惦念我逝去的親人，植樹苗、樹成林、樹蔭成為真正的永恆，同時樹根也會抓緊土地，其被演繹的過程轉化自我們對墓碑的解讀。儘管親人骨灰隨水消失，樹作為永生的象徵陪伴我們、提供後代在這片土地樹蔭更多活動空間。天天都有人死，天天都是紀念日，這片土地作為無形生產（儀式的建立）而重生。
The site is Ao-gu wetland. Since colonized by Japan, Taiwanese built the bank for more farms to grow more sugar cane. Once typhoon came, the sea covers the land. Accidentally, it attracts continuous migratory birds. The productive land in the past brought us rich scenery of the nature.
Nowadays, people are skilled at resisting nature, say, by using single type of plant as windbreak in order to hold more land, which resulted lack of biodiversity. We step back and consider how we can get rid of harming the land? I research the system of migrants, plants and tidal. Instead of possessing the land, places people can reach change according to the tidal.
I cross the bridge, land the newborn land which can’t be folded, I dig, I plant, and I memorize my family plant a tree. Though we lost our family, trees as a symbol of eternity become forest and supply more spaces under tree for posterity. We get back to this reclaimed land through the ritual of planting a tree. Whenever we lost our loved ones, the scenery is unique for every family.
優異獎 HONOURABLE MENTION
高速、高密、多元及自發性
SPEED, DENSITY, DIVERSITY AND PROACTIVE
臺灣臺中市
Taichung City, Taiwan
温治宇
WEN Chih-Yu
臺灣臺中的中區，舊的城中商業區，自清朝開始漢人的社會與商品互動以街市的「大街系統為主」，一如班雅明筆下生動活潑的巴黎拱廊街，而日治時代的都市規劃則是把一條市街圈成一個個方格的「格子系統」，人人想要做點小生意，因此高密度沿街面切割形成了多元豐富的騎樓經驗。
然而，亞洲城市在戰後快速發展，仰賴資本主義的壟斷發展，出現許多高效率的單一高層建築。我們極度仰賴機械設備控制建築物內的溫度，照明。原來的街市文化也逐步限縮到地面層或是單一樓層的百貨商城。
當今資訊網絡的發展，造就了技術的普及性，人們得以擺脫資本主義的生產思維，再一次開始學習一項技藝，開一家自己的店或工作室，實踐自己，自發的研究學習成為當代顯學。
我企圖延續漢人街市的騎樓文化脈絡，設計一個立體化的市街架構，提供始用者的自行規劃的彈性，把社會互動的可能性提升到都市地面層以外的高層，並提供合理的日照與通風採光。
基地原是中英育樂大樓，位於狹小街廓中的綜合大樓，內部有機車緩坡道，外部是一間間的店家，臺灣都市居民慣以機車代步，穿梭於都市之中的各個節點，我計畫保留他的機車坡道，延續臺灣的騎樓與個人載具的文化，塑造垂直的都市街道機能。
設計低層作為機車的停車空間以及以個人載具最為互動的機車電影院，小吃攤販; 中層則是出租式的工作室及店舖; 高層則是短期出租公寓。
結構方面，以四支RC core為骨幹，個別空間則由輕構架結構，提供能便捷改建的彈性。
Central District was once the CBD of Taichung. In Qing Dynasty, ‘Main Street System’, as the arcade described by Benjamin, is the major way of people ex-changing products. People sold their homemade products along the streets.
In Japanese Colonial period, Japanese Colonial government made each ‘Main Street’ into a square block. It’s called ‘Grid System’. By holding a shop-house and doing business along the blocks, people transferred them-selves into bourgeoisie. In that high density of dividing blocks, Taiwanese arcade provided various city life styles.
However, after WWII, cities in Asia rebuilt themselves in a rapid way because of the requirements of high efficiency and high density. We began to rely on artificial equipment to control lights and air in our buildings. Therefore, the original Taiwanese arcade cultural disappeared.
Nowadays, due to the innovation of formation and communications technology, people can get rid of the capitalism and learn new skills to improve them-selves on internet. Everyone can be a maker.
I try to continue the Taiwanese arcade culture. My design is a cubic and vertical arcade street system. It provides users an open system where they can create their own workshops or studios. Also, this system can make social inter-action and exchanging happens not only on ground floor but also between vertical floors. Furthermore, it makes sure each space have enough natural lights and air.
The site is Chung Ying Entertainment Building, an old multiple functions building within a small block. Inside the building, there is an scooter ramp from ground floor to 3rd floor. Along this ramp, there are several shops. In the cities of Taiwan, inhabitants usually transfer one place to another by using their personal vehicles, scooters. I attend to preserve the old ramp and insert the culture of personal vehicle using habits in Taiwan, creating a vertical Taiwanese arcade.
Lower floors are scooter cinemas, mobile vendors and scooter parking lots.
Middle floors are short term rental workshops, studio and shops.
Upper floors are hostels.
The whole building is supported by 4 main RC cores, including structures, elevators and stairs. Each small volume is composited by light wood or steel structure. In this way, it provides rapid changing ability.
優異獎 HONOURABLE MENTION
高速、高密、多元及復興
SPEED, DENSITY, DIVERSITY AND REVIVAL
遼寧盤錦紅海灘
Panjin Red Beach, Liaoning
曾慶健、劉宇庭
ZENG Qingjian, LIU Yuting
從八十年代至今，由於人類高速高密度開發與自然氣候變化的影響，盤錦地區的紅海灘和濕地面積不斷減少，人與自然的矛盾顯而易見。曾經溫馨的「自然的候鳥之家」可能會有一天瀕臨滅絕，候鳥無家可歸。
由此我們構想了一個「2030紅海灘恢復計畫」，通過人工的手段介入紅海灘的的恢復週期，計畫在2030年把紅海灘的面積恢復至上世紀80年代的水準，把屬於候鳥的「候鳥之家」——紅海灘還給候鳥。
整個恢復計畫由點成線再成面，以點所能輻射的1.5km為網格構成恢復網路。這次我們所選擇的是矛盾最明顯的地段1——由道路劃分的自然紅海灘與人工水稻田。由此設置恢復計畫的第一個點。
諷刺的是，濫用的機械破壞了自然，可人類不得不通過這樣一種「機械裝置」來恢復他們用現代科技所破壞的自然環境。
恢復裝置包含一個太陽能發電系統、一個雨水收集系統、一個海水轉化系統、一個污水處理系統、一個翅堿蓬培養室和一個無人機噴灑室。再加上一些附屬功能。機械系統的管道穿插形成了建築的形體。靠近紅海灘的裝置主要功能為紅海灘的環境監測與翅堿蓬培育，部分還加入了對普通遊客開放的參觀展覽功能。室外樓梯和平臺可讓遊客不進入內部而參觀整個恢復實驗的過程，最後通往屋頂平臺觀鳥和遠眺紅海灘。
From 80s to now, due to the excessive development of human nature and the impact of climate change, the red beach and wetland area in Panjin area continues to decrease. The contradiction between man and nature is obviously seen. Once warm natural migratory birds’ home is on the verge of extinction, migratory birds will be homeless.
We constructed a "2030 red beach restoration plan", in the red beach through artificial means of the recovery period, the red beach area plans to recover to first century 80s levels in 2030, returning homes, i.e. the red beach, to the migratory birds.
The whole restoration plan is formed from point to line, and the recovery network is composed of the 1.5km which can radiate. This time we have chosen the most obvious part of the conflict, 1, the natural red beach and the artificial paddy field. Set the first point of the recovery plan.
The irony is that the misuse of machinery destroys nature, but humans have to use such a "mechanical device" to restore their natural environment destroyed by modern science and technology.
The recovery device comprises a solar power generation system, a rainwater collection system, a sea water conversion system, a sewage treatment system, a Suaeda salsa culture chamber, and an unmanned air vehicle spray chamber, with some additional features. The piping of the mechanical system was interspersed to form the building. The modular approach allows the free combination of the various system positions, resulting in different forms and spaces. The main function of the device near the red beach is the red beach environment monitoring and cultivation of Suaeda salsa, part of the addition to the ordinary visitors to open the exhibition function. Outdoor stairs and platforms allow visitors not to enter the interior to visit the entire recovery process, and finally to the roof platform for bird watching and overlooking the red beach.
優異獎 HONOURABLE MENTION
高速、高密、多元及根源
SPEED, DENSITY, DIVERSITY AND ROOT
香港九龍城 Kowloon City, Hong Kong
廖以寧 LIU Yee Ning
「活在古巷」設計目的是於九龍城區現有後巷開拓一個綠色、文化與生活融合住宿區，發揚九龍城區飲食文化。設計選址位於衙前塱道與南角道之間。「活在古巷」設計保留大部分唐樓結構，外牆，並將舊有廚房，廁所，排水系統化為綠色文化公園，從而擴闊後巷。
設計概念將是舊唐樓與新建築結構之間作對比。一半住宅單位設計將建於唐樓中，其餘將被遷移到新建築結構。新建築主要材料是鋼和玻璃，它們與唐樓的混凝土作了強烈對比。我希望透過新設計可以將九龍城區飲食文化帶入生活。在九龍城，飲食文化為生活的主要元素。各種各樣的食物和豐富的歷史背景吸引了旅遊者，重新連接了當地的生活。然而，已發展的九龍城交通負擔過重，過多的汽車、巴士令人透不過氣。居民可以於「活在古巷」停留，再發掘舊九龍城區。
為了更好地帶出新舊的對比。我使用了四個主要住房單元，每種單元滿足不同的家庭需求，包括生活模式、大小和可及性。建築外觀根據不同的組合而有所不同。當中迷你露台及開放式廚房拉近了飲食文化與生活的關係。
My intention would be implanting a food cultural street at the existing back-alley of the Kowloon City District, Hong Kong. My site located at the middle of the City between Nga Tsin Long Road and Nam Kok Road. I see many existing tenement housing in the area. They are around 5-6 floor height. I reserved most of it for the street frontage and widen the inner street area for my food street.
My concept would be the contrast in between the old tenement fabric and the new structure of the building. In residential unit design, half of it will be located in the existing tenement buildings while the rest will be relocated to the new hybrid structure. The new structure is mainly steel and glass to indicate the lightness. I would love to see the connection from the food street in the alley through the new transparent blocks into the traditional residential units.
The reason for using such a contrast in my design is to dictate the ideology of the food culture. In Kowloon City, food restaurants grow into the main element of live. The wide variety of food and rich history background draw tourist to come and reconnect local living. However the existing traffic in the city is overloaded. In my design I am retaining the beauty of the city food culture and re-establish it within my MLP.
In order to present the contrast between old and new, I used modular housing unit which consists of 4 main forms. Each form fulfills different household requirements including the living size, quality and accessibility. The building appearance varies based on the different combination. The break-down façade with mini terrace and extrude deck reflect on one single flowing landscape in the middle. Such a strategy indicates relationship of food culture and urban living.
優異獎 HONOURABLE MENTION
高速、高密、多元及社會可持續發展
SPEED, DENSITY, DIVERSITY AND SOCIO SUSTAINABILITY
香港土瓜灣十三街 13 Streets, To Kwa Wan, Hong Kong
林佳思 LIN Jiasi
九龍土瓜灣的十三街有著全香港最為活躍的汽修服務產業。然而在1979年之前，汽修產業普遍聚集在九龍旺角地帶，由於經過旺角的港鐵線路的不斷建成，汽修產業逐漸搬遷到了基地所在位置。目前，隨著沙中線的建設，新的港鐵站將在土瓜灣附近建成，汽修產業將再一次面臨被迫遷移的命運。此外，由於未經規劃，汽修產業佔領著十三街地面空間並對居民生活造成巨大困擾。因此，為了促進汽修產業以及社區生活的可持續發展，本方案擬將汽修店鋪重新安置在十三街北面地塊並將其規劃升級，全面發展汽修服務，物流集運，汽修教育，汽修文化產業等。同時，四條不同主題的公共空間走廊也串聯起不同空間節點和本項目以啟動整片區域。如此，汽修產業將得以生存及可持續發展發展，居民生活品質也終將得到提升。
Located in Kowloon, Hong Kong, 13 streets in To Kwa Wan has the most prosperous car services industry with an active entrepreneurial atmosphere. Before 1979, the industry cluster used to be in Mong Kok. But with the development of MTR, the cluster transferred to the present site. Now, the construction of a new MTR station near the site has posed a threat to the survival of the industry again. Also, without careful planning, the industry has exerted negative influence on living environment of residents in 13 streets. In order to promote a sustainable development of car service industry and community at the same time, this project proposes the relocation of the industry to the northern area. Furthermore, the plan upgrades car services industry that includes the planning of car services center, logistic center, mechanism education, creative industry and etc. and connects the area with four public corridors. At the same time, public corridors are also designed to connect the whole area. Thus, the car services industry could survive and thrive in a socio-sustainable way, residents can also enjoy a harmonious community environment.
優異獎 HONOURABLE MENTION
高速、高密、多元及共生
SPEED, DENSITY, DIVERSITY AND SYMBIOSIS
山東濟南商業港區 Commercial Port District, Jinan, Shandong
李淩娜、付瑜、孫藝瑋、王曉鵬 LI Ling Na, FU Yu, SUN Yi Wei, WANG Xiao Peng
作為中國歷史上第一個自開埠城市，濟南的商埠區無論在社會影響還是在建築歷史上都留下了濃墨重彩的一筆。然而，在城市高速擴張、現代建築的高速侵襲之下，商埠區在商業上喪失活力，在空間上混雜無序，最終淪落為現代城市中的一個孤島。如今的商埠區風貌建築保護不當，街區肌理破壞嚴重，呈現局部高層高密、大部份低層高密現象。不同時期不同風格的建築類型、冗雜的街區環境、豐富的商埠歷史文化、並存的生活方式構成了多元化又極具挑戰的現狀。由此，我們提出「共生」的城市更新策略，基於歷史建築等有價值的建築物，在特定區域範圍內以「點式切入」的方式進行小規模更新，由點帶線帶面激發城市活力，最終實現新舊共存、共同生長。
As the first initiative opening commercial city in the history of China, Jinan’s Commercial Port District had left a significant impact on social and architecture. However, under the high-speed invasion of modern architecture and expansion of city, it turned to be an isolate island in the modern city where commercial district is losing vitality and space is disordered and unsystematic. Nowadays, architectural protection in the commercial port area is inappropriate, and districts’ texture has been damaged seriously, presenting high-level and high-density to a small extent, and low-level and high-density to a large extent. The different periods and styles of buildings’ types, the complexity of the neighborhood environment, the affluence of history and culture, and the coexistence of life-style constitute a multiple and challenging situation. According to the reasons given-above, we propose an urban renewal strategy ——"symbiotic", which is based on historical buildings and other valuable buildings. We carry out the method of "point cut" to realize a small-scale update in this specific area. By stimulating the city vitality from point to line to surface, we can ultimately achieve a coexistence of old and new, growing mutually.
優異獎 HONOURABLE MENTION
高速、高密、多元以及暫置
SPEED, DENSITY, DIVERSITY AND TEMPORARY OCCUPATION
臺灣臺中市中區 Central District, Taichung, Taiwan
趙曉晗、賈昌建、蔡雨築 ZHAO Xiaohan, JIA Changjian, CAI Yuzhu
此項目的基地地處臺灣臺中市中區。中區現階段為臺中市內沒落的舊城區。此項目旨在提出融合中區舊城區既有涵構環境特徵，建構一個多層次公共社群的都市再生空間。
我們藉由遊逛中區，研究中區都市現象中不連續的衝突與斷點。發現中區擁擠的街道，舊有網格的佈局，多元的東南亞族群混居情況下，已經不足以支撐新機能置入的活化方式。然而，當我們以微觀的觀點介入中區時，發現在街道紋理中居民們為自主生活、商業目的而自然衍生的生活介面，也就是具有暫時性、變動性的擺攤行為卻成為現今中區仍舊活絡但卻零散的商業地景。
從而我們思考建築的永恆是一種絕對的完美，而在當代、在中區，建築的永恆已經缺乏和當代生活對接的方式，成為了衰敗和沒落的背景。我們認為：短暫便是當代。
此項目中藉由學習「擺攤」的生活介面，提出一個靈活的建築系統。操作上通過切挖原有密集的都市地景形成倒置的空間場地，形成新的居住公共層。居住層的立體網格提供了靈活可預製的空間單元。被反轉的下層空間置入可變動的市集，通過構築擺攤單元創造暫時、靈活、自主且提供給不同族群多層次的使用彈性空間。
The site is located in the central district of Taichung, an old district that is now declining. This project aims to integrate the existing urban context and environment, constructing a multi-layered space for urban regeneration.
By strolling about the central district, looking into the incongruity and discontinuity of urban images, we would find that with the crowded streets, current configuration and a mix of Southeast Asian population, the district is not able to be activated by simply adding new functions to it. However, when we look at this district from a microscopic view, we have some findings. On the streets of this district, things that people do for a living and for commercial purposes constitute an image that is full of life or rather, the brief and variable commercial activity of setting up street stalls has continued to be active but loose.
We hereby have a thought that the eternity of architecture should be absolute perfect. But now in the central district, the eternity of architecture lacks a way that connects to contemporary life. It becomes the background of decay and decline. Therefore, we think that “temporary as contemporary”.
After looking into “the street stalls”, we come up with a flexible building system in this project. An inverted free space is vacated by cutting the former dense urban landscape. It serves as a new layer for public housing. This layer provides enough room for customization. The inverted bottom layer can be used as a flexible market. We can do it by building stall units to provide different ethnic groups with transient, flexible and customized space.
優異獎 HONOURABLE MENTION
高速、高密、多元及風土
SPEED, DENSITY, DIVERSITY AND VERNACULAR
臺灣臺南市安平區漁光島 Yuguang Island, Anping District, Tainan City, Taiwan
陳宗煌、鄭家偉 CHEN Tsung Huang, CHENG Ka Wai
當代建築和城市發展，源於二十世紀初時所追求的「高速」，為應付城市發展劇增而採用的「高密」，及為解決規劃造成分裂而提倡的「多元」。兩岸四地發展下來的城市景觀，除了呈現上述三個重要元素，我們提出建築設計，更需要保留「風土」元素，可使城市在高效發展時免受到倒模式的菱角打磨，釋放城市獨有的「風土」氣息。
兩岸四地的城市發展，賴於每個地方坐擁獨有的地理環境及歷史發展的脈絡，亦即其「風土」。在廿一世紀的全球化氣候下，廣及於建築設計，深至於人文教育，較從前更需要保留「風土」元素，致使城市及社會可抓住時代前進步伐的同時，更可保養城市獨有的內涵。
教育是城市及人文發展中非常重要的一環，而學校生活是孩子成長過程中很重要的一個階段。我們的設計以坐落於臺南漁光島的生態小學為例，除坐擁島上豐富自然環境外，為了使學生在探索和體驗中學習，培養對環境敏銳的觀察，設計者更將魚塘和田園的空間植入學校的公共空間中，打破傳統的生態教學空間與學校課室較為割裂的狀態。學校生態教學空間於假日和寒暑假期間可作對外開放，提供在地小學生，以至城中居民，或至外來遊客，参與田園生活體驗。從而使臺南「風土」氣息可於生態小學中綻放。
The current development in architecture and urbanism was sprouted owing to the pursuit of “Speed” since early 20th century, the adoption of “Density” in view of rapid urban expansion and the promotion of “Diversity” to heal the undesirable segregation caused by over-rational planning. In addition to the three above-mentioned elements in the urban image of the four places nowadays, we advocate to consider “Vernacular” also as a key element in the architectural design, in order that every city can preserve its unique characteristics as soon as undergoing the efficient development in which loss of features is prone to.
Each place has its own “Vernacular”, which is the geological condition as well as the historical context, and therefore has been given with its development. Under the globalization atmosphere in the 21st century, “Vernacular” has become a more crucial factor compared to the past, in the extent of both the architectural design and humanity education. This can allow our city and society to value its own culture, despite the process of rapid development.
Education is essential in the urban and humanity development, and the school life is very important in the growth of every child. Our proposed ecology primary school located at Yuguang Island, Tainan, can be a paradigm to the contemporary education. Not only having the abundant natural resources found on the island, we proposed to integrate space with fish farming ponds and agricultural farms into the public space within the school. Such adoption can encourage the children to learn in exploration and experience in their self-presence in the natural environment, and also cultivate their extinct in observation to their surroundings. The strict separation between a place for ecology learning and the restricted school zone as per traditional schools can therefore be solved. The proposed ecology learning space is suggested to be open to the public during weekends and summer and winter holidays, so as to allow the school children and residents in Tainan city, or even the tourists visiting the place, can join the experimental touching camps here. As a result, the bloom of “Vernacular” of Tainan can be shown at such ecology school.